Mahler Unlocked
Mahler’s First Symphony, Abridged and Simplified.
C736 Cover
Flexible Ensemble (Woodwind, Brass and String instruments)
Gustav Mahler arr. Mark Goddard
Catalogue number: C736
ISMN: 979-0-57081-736-8
Former catalogue number: SP1311 SP1312, SP1313
Previous Publisher(s): Spartan Press
Series: Flexible ensemble
Price: £14.95
Availability: Print and Download
Grades 4 – 6

See also…

Goddard Mark
– – – – –
Mahler Gustav
– – – – –

The Series: Flexible ensemble
– – – – –

More romantic titles
– – – – –

More music for ensemble
– – – – –

Gustav Mahler’s 1st Symphony unlocked for flexible ensemble by Mark Goddard. This arrangement retains the essence of the great work, yet is easy to play and concise.

Originally published by Spartan Press in three separate packs that combined together (Woodwind, Brass Strings), this new edition covers all three versions in one bumper pack.

Symphony No. 1, sometimes referred to as ‘The Titan’, opens with a representation of a glorious sunrise featuring off-stage fanfares. After a formal Ländler and Trio (a precursor to the Viennese Waltz), the sinister Funeral March unfolds, based on a minor version of the French folk song “Frère Jacques”. The Finale (marked ‘Stubborn, with all power’) is breathtakingly exciting and dramatic, ending in triumphant and optimistic mood.

Instrumentation

This set includes a generic score plus the following alternative instrumental parts:

PART 1

Flute/Violin 1
and/or Bb Clarinet/Soprano Saxophone/Trumpet/Cornet
and/or Eb Alto Saxophone and/or Eb Soprano Cornet

PART 2

Flute/Oboe/Violin 2
and/or Bb Clarinet/Trumpet/Cornet
and/or /Eb Alto Saxophone

PART 3

Bb Clarinet
and/or Eb Alto Saxophone/Tenor Horn
and/or Bb Tenor Saxophone
and/or Horn in F
and/or Violin 3/Viola

PART 4

Bassoon/Trombone BC/Tuba/Cello/Double Bass
and/or Bb Tenor Saxophone/Trombone TC/Bb Bass TC
and/or Eb Baritone Saxophone/Eb Bass TC

Performance

To show the versatility of this arrangement, we’ve had some fun and scored each of the movements in different combinations.

In the last movement we’re combined wind, brass AND strings, making sure to organise pre-arranged rests as designated by the conductor to keep the texture varied.